Adam Fergler

Photographer and filmmaker specialising in portraiture and storytelling based in London, UK

Adam Fergler

A rough stone path winds behind a grassy slope in the foreground, mirroring a long train of firey orange clouds stretching over a tree-dotted valley, beyond the mountains on the horizon and into the heart of the sunset sky.
A wrecked boat on a river embankment viewed between two tree trunks at dusk.
Snowy hills sandwiched between still, deep blue fjord water and an atomspheric sky.
A lone figure, in a black baseball cap with a burnt orange rucksack, sits on large boulders on the slopes of Fleetwith Pike, water trickling past, as the craggy greys, browns and greens fold over each other into a spectacular mountain scene.
Architectural details in grey and white, where horizontal light fixtures almost meet a narrow vertical column
Looking along the River Thames on an inky-black night towards Battersea Power Station, which glows bright with intense cool tones crowned by a swarm of red warning lights. The comparatively weak light of buildings shouldering the river provide only dim suggestions of their shapes.
A thick black guardrail cuts boldly in a diagonal line across the lower third of the picture. It carries bold white lettering in Futura and a sharply angled arrow, which indicate a Martini Bar upstairs. Above, the polished concrete ceiling is pocked with checkerboard recesses, some empty, some containing neutral downlighters - themselves backlit in saturated oranges and purples.
A curved staircase intersected by bold block balconies and adorned with globe lamps. All surfaces are flat giving rise to a wide range of grey tones.
An air vent - expertly crafted as a perfect geometric stadium - sits recessed into a wall, which carries a hammered concrete finish. A brass handrail bisects at an odd angle as it follows the line of a gently descending walkway. Sunlight breaks through a skylight, streaks across the wall in shafts and causes the handrail to glisten and flare.
An angular sculpture of Christ, lit by strong afternoon sun, hangs starkly against the darker, muscular architecture of the Sagrada Família's Passion Façade.
A man sits on a bench tucked in a quiet corner of a gallery, before him a giant window revealing hints of the New York cityscape beyond. The room is white, with pale wood flooring, punctuated by the stark contrast of the person, their belongings and the bench, all of which are dark.
Architectural details in a completely white room with curved walls meeting at various angles and a row of light panels in the ceiling.
A rough stone path winds behind a grassy slope in the foreground, mirroring a long train of firey orange clouds stretching over a tree-dotted valley, beyond the mountains on the horizon and into the heart of the sunset sky.
A wrecked boat on a river embankment viewed between two tree trunks at dusk.
Snowy hills sandwiched between still, deep blue fjord water and an atomspheric sky.
A lone figure, in a black baseball cap with a burnt orange rucksack, sits on large boulders on the slopes of Fleetwith Pike, water trickling past, as the craggy greys, browns and greens fold over each other into a spectacular mountain scene.
Architectural details in grey and white, where horizontal light fixtures almost meet a narrow vertical column
Looking along the River Thames on an inky-black night towards Battersea Power Station, which glows bright with intense cool tones crowned by a swarm of red warning lights. The comparatively weak light of buildings shouldering the river provide only dim suggestions of their shapes.
A thick black guardrail cuts boldly in a diagonal line across the lower third of the picture. It carries bold white lettering in Futura and a sharply angled arrow, which indicate a Martini Bar upstairs. Above, the polished concrete ceiling is pocked with checkerboard recesses, some empty, some containing neutral downlighters - themselves backlit in saturated oranges and purples.
A curved staircase intersected by bold block balconies and adorned with globe lamps. All surfaces are flat giving rise to a wide range of grey tones.
An air vent - expertly crafted as a perfect geometric stadium - sits recessed into a wall, which carries a hammered concrete finish. A brass handrail bisects at an odd angle as it follows the line of a gently descending walkway. Sunlight breaks through a skylight, streaks across the wall in shafts and causes the handrail to glisten and flare.
An angular sculpture of Christ, lit by strong afternoon sun, hangs starkly against the darker, muscular architecture of the Sagrada Família's Passion Façade.
A man sits on a bench tucked in a quiet corner of a gallery, before him a giant window revealing hints of the New York cityscape beyond. The room is white, with pale wood flooring, punctuated by the stark contrast of the person, their belongings and the bench, all of which are dark.
Architectural details in a completely white room with curved walls meeting at various angles and a row of light panels in the ceiling.