Adam Fergler

Photographer and filmmaker specialising in portraiture and storytelling based in London, UK

Adam Fergler

Two women, one with folded arms, stand fast amid a crowd moving in all directions, both watching something out of frame.
A man on a train looks out of a large window, his elbow resting on the frame, supporting the hand he holds up to his face. His phone is in his hand, its edge pressed against his lips. He is lost in thought as his headphones pipe music into his ears. The scene is warm and summery.
Low key, side portrait of a man who is lit entirely by abstract lighting patterns in Olafur Eliasson's Eine Beschreibung einer Reflexion, oder aber eine angenehme Übung zu deren Eigenschaften, which towers on the right-hand side of the frame.
A dachshund on a lead stands patiently at the feet of a group of people, all of whom are wearing grey and blue trousers. The dog is distracted by something across the road and wears a red and navy jacket with a grey hood (out of which poke his ears). Behind is a shopping bag in the same bold red.
A dark brutalist crescent lit by an arc of yellowish lights and sunlight coming through large ceiling recesses plays host to two people on their way home from a shopping trip.
A woman stands at a very wide reception desk and two members of staff stand on the other side, smiling at her. The reception area is made of increasingly recessed rectangular concrete arches, each one rimmed with light panels. The room is dotted with designer furniture and plants.
A light-based artwork stands in the corner of a gallery room, taking the form of a square frame with white lights at the top and bottom, yellow lights at the sides and an orange glow in the space behind. A woman walks in front of it, silhouetting her mid-stride. Another man is walking away, almost enveloped in darkness, glancing at his phone.
Gallery attendees sit and walk bay a Turner's 'Crossing the Brook', which dominates the wall behind them. All the people look bored. One stares into the middle distance while another covers a yawn with her hand.
A man lying on the grass has raised his head to look behind him, where a protest march bears down on his location. The protesters are holding a large red banner emblazoned with the slogan 'This is an emergency' and the Extinction Rebellion logo.
A green, brown-edged cactus catches the light among its more shaded neighbours.
A man in a light blue shirt reclines on a low seat, his arms folded and knees hitched up supporting an open laptop. The screen lights his face and front radiantly in clean light while glass panels behind glow murkily in a deep yellow-green hues. The rest of the scene falls gently into darkness.
Brightly coloured socks stand out in the middle of the frame. Beneath them bright white trainers stand on grey brick pavement, Above them, legs in dark jeans ascend out of the frame.
A black and white image taken from a balcony looking down at the terrazzo flooring below, which has large circles incorporated into the design. At the extreme bottom right a person stands reading some printed literature. At the top left we can see the legs and feet of some other people, the rest of their bodies existing outside of the frame.
Two women, one with folded arms, stand fast amid a crowd moving in all directions, both watching something out of frame.
A man on a train looks out of a large window, his elbow resting on the frame, supporting the hand he holds up to his face. His phone is in his hand, its edge pressed against his lips. He is lost in thought as his headphones pipe music into his ears. The scene is warm and summery.
Low key, side portrait of a man who is lit entirely by abstract lighting patterns in Olafur Eliasson's Eine Beschreibung einer Reflexion, oder aber eine angenehme Übung zu deren Eigenschaften, which towers on the right-hand side of the frame.
A dachshund on a lead stands patiently at the feet of a group of people, all of whom are wearing grey and blue trousers. The dog is distracted by something across the road and wears a red and navy jacket with a grey hood (out of which poke his ears). Behind is a shopping bag in the same bold red.
A dark brutalist crescent lit by an arc of yellowish lights and sunlight coming through large ceiling recesses plays host to two people on their way home from a shopping trip.
A woman stands at a very wide reception desk and two members of staff stand on the other side, smiling at her. The reception area is made of increasingly recessed rectangular concrete arches, each one rimmed with light panels. The room is dotted with designer furniture and plants.
A light-based artwork stands in the corner of a gallery room, taking the form of a square frame with white lights at the top and bottom, yellow lights at the sides and an orange glow in the space behind. A woman walks in front of it, silhouetting her mid-stride. Another man is walking away, almost enveloped in darkness, glancing at his phone.
Gallery attendees sit and walk bay a Turner's 'Crossing the Brook', which dominates the wall behind them. All the people look bored. One stares into the middle distance while another covers a yawn with her hand.
A man lying on the grass has raised his head to look behind him, where a protest march bears down on his location. The protesters are holding a large red banner emblazoned with the slogan 'This is an emergency' and the Extinction Rebellion logo.
A green, brown-edged cactus catches the light among its more shaded neighbours.
A man in a light blue shirt reclines on a low seat, his arms folded and knees hitched up supporting an open laptop. The screen lights his face and front radiantly in clean light while glass panels behind glow murkily in a deep yellow-green hues. The rest of the scene falls gently into darkness.
Brightly coloured socks stand out in the middle of the frame. Beneath them bright white trainers stand on grey brick pavement, Above them, legs in dark jeans ascend out of the frame.
A black and white image taken from a balcony looking down at the terrazzo flooring below, which has large circles incorporated into the design. At the extreme bottom right a person stands reading some printed literature. At the top left we can see the legs and feet of some other people, the rest of their bodies existing outside of the frame.